Tuesday, 29 April 2014

Drawing Statement

For my drawing project I’ve been exploring faces. My original intention with my work was to explore the idea of taking away a person’s identity through portraiture. A face is full of so emotion and can give so much away about an individual, that’s what the original intention of portraiture is. So I thought it would be interesting to try and explore ways in which a portrait could come detached of human emotion.

Using artists such as Julian Opie as influences, I began to explore the unconventional ways of drawing faces, using lines as a starting point. Lines are linear and un-organic, which makes them a great starting point in the exploration of my project. I became clear to me that if I thought of the face as a structural object being assembled, as opposed to organic matter then that’s what my work would look like. I eventually settled on using the materials of pencil and tracing paper, as formally I felt they conveyed the idea of an architectural design the best.


My work has evolved into something slightly different. Instead of it being about the eradication of one’s identity, but instead it’s taking more of a formal meaning. The work has changed into exploring different ways to create a human face with geometric lines and shapes. I think this creates a better link with the final product of my work.

Self Directed Statement

‘We are all in our way’

In my self-directed work I have been focusing on sculpture and installations. My initial idea was to explore the imperfections of human beings, and doing this via the presentation of skin and stitching. This is a continuation of my previous work I did in first term sculpture, where I tried to explore the ideas of humans striving for perfection but never achieving it. And I feel like the tearing of the skin and attempting to stitch everything back up symbolises this idea rather well. The delicacy of the flesh coloured tights are a direct contrast to the harsh rough stitches made by the black thread. It shows our desperation and the extreme measures we go to for perfection. I quickly figured out flesh coloured tights were a great substitute for skin because of their elasticity. I then went on the create web like structures from the tights, exploring the idea that we are all connected in our thoughts for perfection.

Over the course of the term the web like structures evolved into something more than a representation. Artist Christo’s use of manipulating huge spaces was a huge influence on my work and have me the boost to work on a larger scale, thus helping me expand my ideas. The introduction of using a black light was a pivoting change for my project, it has evolved and now about the creation of invisible barriers. I'm attempting to do this by blocking the viewer’s vision and making it physically improbable to see or go near what is in front of you. I want this to symbolise how we as humans create obstacles for ourselves, but I also want my work to be open to interpretation.


Tuesday, 22 April 2014

Portfolio

Broken hands
plaster, thread
2013
Distorted Truth
Plaster, thread
2013

Creation
Pencil on tracing paper
A4
2014

Horizontal (Minimal)
Fine Liner on tracing paper
A4
2014

Horizontal
Fine liner on tracing paper
A4
2014
Skin Sample
MDF board, tights, wire
2014
Stretched Skin
Wooden Frame, tights, thread
2014
Stitched hand
Plaster, tights, thread
2014

Web
Tights
2014


Connected
Installation
tights, thread
2014
Negative
black tights, thread
2014

Wall of skin (experiment)
tights, thread
2014


Black light experiment
white thread, black light
2014
We are all in our way (light)
Installation
tights, thread, wool
2014


We are all in our way (dark)
Installation
tights, thread, wool, black light
2014









Wednesday, 9 April 2014

Circles


Experimentation with circles
pencil on tracing paper
A3
2014
I've been experimenting with using different ways to create portraits. This first piece was an experimentation of using circles created with a compass to draw a face. I'm rather disappointed with this outcome. It definitely doesn't have the same effect as my previous work. The face is non existent, which I feel would almost alienate the viewer from my work. 

I didn't want to give up using circles so I thought I would give it another try but using a different technique. I created a face by filling in defining features of the face with different sized circles. I was really pleased with the result. I like how even with minimum features filled in you can tell its a face, and even have a vague idea of defining features.


Circles
Fine liner on tracing paper
A4
2014
Circles
Fine liner on tracing paper
A4
2014


Friday, 4 April 2014

Different direction



I'd found with my drawing project that I hit a dead end with what I was doing. I felt like there was nothing more I could explore or develop with the line drawings and became very stuck as what to do next. I tried different sorts of ways of creating faces, but I wasn't happy with anything I produced ad felt like I was severely diverting from the original intention of my project.

I wanted to go back to exploring the relationship between lines and something as organic as faces. I came up with the idea of instead of creating cross over lines from different directions, using vertical parallel lines. Lines which never cross but instead are layered on top of each other to create the impression of a face.

I did a first attempt using biro on tracing paper. I was extremely pleased with the outcome. It was the first piece of work I was sincerely happy with in a long time. It's still using lines but is a different exploration from what I've been previously doing. I carried on in this media, finding that some of the outcomes worked really well, while some were not as successful. I'm not sure f there is a pattern or its just that sometimes the face I'm using doesn't work.



My next idea was to try and do the same thing but with using horizontal parallel lines instead. My first attempt at dong this was creating a face with minimal features, to try and create a sense of detachment. I only shaded n the background, his hair and his glasses. This was quite effective, it created something very stylised and almost looked like one of Julian Opie's computer drawings. Yet I'm not sure if it looked too much like a design and not very much like a drawing. So I decided to go back to creating layers of lines, and found them to be very intriguing